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Tag Archives: Studying Sogetsu Ikebana in Tokyo
4— In a Suiban without Kenzan Alder (Alnus) branches and long-stemmed green roses (Rosa) in a green suiban (flat dish).
4— Keeping in Mind the view from Above Japanese witch hazel (Hamamalis japonica) branches and cosmos (Cosmos), also known as the cherry blossoms of autumn in Japan, in a two-toned blue container with five openings. In an arrangement for a … Continue reading →
4— Keeping in Mind the View from Below Asparagus fern and mauve Phalaenopsis orchids in a three-throated, cream-coloured, tubular vase. Some arrangements are placed above eye level and the composition must reflect that point of view.
4— Focusing on the Uses of Water Fruiting Mikan (Citrus unshiu, or satsuma mandarin) and Pincushion Protea (Leucospermum) in a brown pottery suiban (flat dish). Not fixed with a kenzan (spiky frog). In this arrangement attention is given to the … Continue reading →
4— Simplified arrangement Japanese winterberry (Illix serrata) in a red vase with two throats The objective of the arrangement is to manipulate the material by cutting, bending and removing unnecessary parts until nothing more can be removed. The ultimate aim … Continue reading →
Levels one and two of the Sogetsu School of Ikebana are devoted to basics, basics, basics. Everything depends on the basics. One set of branches with one set of flowers and variations of three primary lines (Shin, Soe and Hikae) … Continue reading →